Tom Spurgeon's Web site of comics news, reviews, interviews and commentary















July 22, 2018


Go, Read: 2012 Post By Jesse Hamm On Moebius And Reality

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OTBP: New Simon Roy Comics

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News & Notes From The San Diego Convention Floor

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*****

Here are some thoughts and links as to things I've seen or discussed on the convention floor and in the barrooms of Comic-Con International.

* when your exit day is everyone else's highlight/most grueling day, there's a weird energy.

* this was the first time I did a lot of work at the hotel during the show, so I did a lot of hotel things and paid attention to what was going on around me. I stay in the best hotel. This yeah I have to admit it was unfortunately upgraded on security and flow issues the same way the rest of the show was. There was a doorman and attention to keys and a denial of use of bathroom facilities, which I just thought were sort of an unfriendly look, especially given nothing in past years seemed crazy or overcrowded or dangerous.

* all hail the tuna fish sandwich at Cine Cafe, the Ralph's for those of us that can't get over to Ralph's.

* the length of the Eisners and all the jokes thereabouts were a discussion point in the morning, equal to the diversity of gender, orientation and race on display -- which was incredibly heartening. When people express sympathy in your direction for having to do too many acceptance speeches, you know you're having a good evening.

* what was weird about the length of that show is that there wasn't any cause. It just seemed like certain speeches dragged and presentation banter crawled at a stately pace. No one did anything that anyone could pivot from, which meant there weren't a lot of jokes that caught on -- making the time spent even more of a thing over which to obsess. I would recommend some pruning of awards -- I don't think anyone gets the distinctions between webcomics/digital comic or one-shot/short story (or whatever that latter category is called). Other than that, I'm not sure what to do.

* saw Emil Ferris' panel, and that was pretty special. There are a lot of things that are great about Emil Ferris on panel: she's funny, she's profane, she's spiritual, she's encouraging, she's smart and she seems like she's been around 30 but also provides a fresh experience. Also with a book like hers there is a significant connection between author and audience. One boy brought her a back-issue comic which he gave her before asking an excellent questionand their exchange was intensely charming. I'm told the book was a continued star sales-wise as well.

* saw the front-end of Scott McCloud's 25 Years Of Understanding Comics panel, and it was very funny and sweet. Lots of grateful dad and husband stuff. He sounds very excited about his next project, which is in comics form but has a much broader platform hitting all forms of communication and understanding. Plus no "Comics" in the title.

* I'm told Gary Groth didn't make it to the Ditko tribute panel. Neither did Ditko. Neither did I. Getting a report I'm told there were some charming stories and one assumes that most of them have a basis in reality. I'm interested in this thread of commentary coming out of Ditko's passing that he was largely inscrutable. I also like that some people are questioning the constant fan visits a bit, what the motivation was there and if they were truly welcome.

* got to meet Gabe Rodriguez, who is noticeably nice in an industry stuffed with nice people. It was great running to Denis Kitchen on the way out of the hotel lobby that afternoon.

* finished my day at the anthologies panel. This felt like kind of a throw-in to get some of the special guests some more panel time. Manuele Fior, for example, admitted sheepishly up top he has barely appeared in any. Still, the panelists were good so the discussion was good. Carol Tyler gave a short history of the Aracade into Weirdo/RAW days. Eric Reynolds described several sharp instances of contrast between MOME and Now. Justin Hall spoke up for cause related to anthologies. Solid panel.

* hit Little Italy for some food and walked the eight blocks to the train, where we got to see people act like assholes for the half-hour as we waited. People refusing to stand in line. People cursing the AMTRAK employee. Just amazing.

* good luck to all of those that braved Saturday night and Sunday and the dead dogs that followed.

* back to work.

*****

photos and additional reporting by Whit Spurgeon and Chris Hatfield

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If I Were In London, I'd Go To This

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If I Were In San Diego, I'd Go To This

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If I Were In Montreal, I'd Go To This

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If I Were In Columbus, I'd Go To This

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Forthcoming Comics-Related Events, Through August 2018

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*****

July 23
* If I Were In Montreal, I'd Go To This

July 24
* If I Were In Montreal, I'd Go To This

July 25
* If I Were In Montreal, I'd Go To This

July 26
* If I Were In Montreal, I'd Go To This

July 27
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In SF, I'd Go To This (Comics In The City)
* If I Were In Montreal, I'd Go To This

July 28
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In Montreal, I'd Go To This
* If I Were In Portland, I'd Go To This
* If I Were In Brooklyn, I'd Go To This

July 29
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In SF, I'd Go To This
* If I Were In Montreal, I'd Go To This

July 30
* If I Were In Montreal, I'd Go To This

July 31
* If I Were In Montreal, I'd Go To This

*****

August 1
* If I Were In Montreal, I'd Go To This

August 2
* If I Were In Montreal, I'd Go To This

August 3
* If I Were In SF, I'd Go To This (Comics In The City)
* If I Were In Montreal, I'd Go To This

August 4
* If I Were In Montreal, I'd Go To This

August 5
* If I Were In Montreal, I'd Go To This

August 6
* If I Were In Montreal, I'd Go To This

August 7
* If I Were In Montreal, I'd Go To This

August 8
* If I Were In Columbus, I'd Go To This
* If I Were In Montreal, I'd Go To This

August 9
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 10
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 11
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 12
* If I Were In Montreal, I'd Go To This
* If I Were In Edinburgh, I'd Go To This

August 13
* If I Were In Montreal, I'd Go To This

August 14
* If I Were In Montreal, I'd Go To This
* If I Were In Sacramento, I'd Go To This

August 15
* If I Were In Montreal, I'd Go To This

August 16
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 17
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 18
* If I Were In Las Vegas, I'd Go To This
* If I Were In NYC, I'd Go To This (Flame Con)
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 19
* If I Were In NYC, I'd Go To This (Flame Con)
* If I Were In Minneapolis, I'd Go To This (Autoptic)
* If I Were In Montreal, I'd Go To This

August 20
* If I Were In Montreal, I'd Go To This

August 21
* If I Were In Montreal, I'd Go To This

August 22
* If I Were In Montreal, I'd Go To This

August 23
* If I Were In Montreal, I'd Go To This

August 24
* If I Were In Montreal, I'd Go To This

August 25
* If I Were In Boise, I'd Go To This (Boise Comic Arts Festival)
* If I Were In Montreal, I'd Go To This
* If I Were In Montreal, I'd Go To This

August 26
* If I Were In Boise, I'd Go To This (Boise Comic Arts Festival)
* If I Were In Montreal, I'd Go To This

August 27
* If I Were In Montreal, I'd Go To This

August 28
* If I Were In Montreal, I'd Go To This

August 29
* If I Were In Montreal, I'd Go To This

August 30
* If I Were In Atlanta, I'd Go To This (Dragon Con)
* If I Were In Montreal, I'd Go To This

*****

Events For September 2018 Onward Listed Here

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Happy 34th Birthday, William Cardini!

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July 21, 2018


The Comics Reporter Video Parade


Footage From 1975 Marvel Comics Convention



Footage From 1976 Marvel Comics Convention


Marc Bolan Interviews Stan Lee


Stan Lee Interview From 1977


Neal Adams Upon Winning A Creativity Award From US Chamber Of Commerce
 
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Go, Look: A Nick Payne Interview Of Unknown Provenance

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Go, Look: Better Things

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News & Notes From The San Diego Convention Floor

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*****

* I'm still slightly traumatized from the fact that the Eisners were 16,000 hours long. This may be slow in coming.

* that said, the number of women and diversely representative winners last night was encouraging and hopeful -- and category to category the right choices. Someone will let us know if that's more winners from underrepresented groups than in the history of the show or several years of it combined, and the fact that people are thinking about that notion out loud tells you something of last night's upbeat mood.

* someone told us last night that designer Jacob Covey has never won the design category, which seems semi-nuts to me.

* wait, I'm going to have breakfast now. If I don't get back to this in a timely fashion, feel free to make the joke about me having a 17-hour breakfast or whatever.

* okay, I'm back and now I only have to worry about packing. I stay Thursday morning to Saturday evening at Comic-Con, mostly because there was a time when $370 hotel rooms were not just painful but impossible. Plus I have a wedding reception in Claremont tomorrow. It's all good, but it makes these weekend windows a bit of a chore.

* only one Artist's Edition item of news this year, but it's a show-stopper: Bernie Wrightson's Frankenstein, one of the comics-maker's career highlights and one of the great illustration projects of the second half of the 20th Century. That one's been a longtime coming, and I can't wait to see it.

* a big highlight for me on Friday was moderating Noah Van Sciver's spotlight panel, which we made a survey of his career. I thought that was the best way to find some connecting threads between works and to talk about specific visual techniques and concerns exploited by Noah. We had a decent crowd for a Friday afternoon at the Siberian end of the show, and at least 3-4 people said they had a grasp of who Noah is and why they might want to buy specific works. So mission accomplished, I guess. Anyway, I'm always honored to be asked to moderate someone's panel and I think Noah has become the interesting cartoonist at which his earlier works hinted. I hope everyone buys Blammo! #10. That comic book is really good.

* Todd Allen has the only report from the D+Q panel I've read. It focuses on John Stanley and Yoshiharu Tsuge, both coming to the publisher in major, serial-volume ways. Every book is interesting, though -- new work from Julie Doucet and a book from Kevin Huizenga, it all sounds great.

* it's great to hear about the new print iteration of TCJ, RJ Casey and Fanta-MVP Kristy Valenti supporting Gary Groth. I think Groth's interviews as a collective whole are going to be reappraised in the next 20 years as the great accomplishment they are, and anything that adds to that legacy like a new run of magazines on paper I am 100 percent interested in backing.

* speaking of Casey, he wore a one-piece jumper with fringe last night to the Eisners, which was fairly impressive. Lots of baby pictures from that guy.

* Top Shelf is working with George Takei on a graphic novel re-telling of his harrowing stories of childhood in a World War 2 interment camp.

* met a European writer-about-comics on the floor whose name is in my notes somewhere but isn't findable right this minute. "I'm so grateful when I see books being sold."

* wide agreement that the show is in its era where the energy on the floor comes from toy sales, and trying to pick how that might develop over the next few years was a lot of fun -- okay, nerdy fun but fun. Like I would imagine we'll get everyday-new exclusives in a more concentrated way very, very soon. I can imagine more book exclusives related to time and place -- I hear a lot about special book editions that never see the light of day. I can imagine some digital exclusives using virtual coin philosophies. It's going to get more complicated before it gets better.

* finally: more Moto Hagio from those rascals North and West.

*****

photos and additional reporting by Whit Spurgeon and Chris Hatfield

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If I Were In San Diego, I'd Go To This

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If I Were In London, I'd Go To This

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If I Were In Montreal, I'd Go To This

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If I Were In DC, I'd Go To This

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Forthcoming Comics-Related Events, Through August 2018

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*****

July 22
* If I Were In San Diego, I'd Go To This (CCI)
* If I Were In London, I'd Go To This
* If I Were In Montreal, I'd Go To This
* If I Were In Columbus, I'd Go To This

July 23
* If I Were In Montreal, I'd Go To This

July 24
* If I Were In Montreal, I'd Go To This

July 25
* If I Were In Montreal, I'd Go To This

July 26
* If I Were In Montreal, I'd Go To This

July 27
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In SF, I'd Go To This (Comics In The City)
* If I Were In Montreal, I'd Go To This

July 28
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In Montreal, I'd Go To This
* If I Were In Portland, I'd Go To This
* If I Were In Brooklyn, I'd Go To This

July 29
* If I Were Near Arlington, I'd Go To This (Blerdcon)
* If I Were In SF, I'd Go To This
* If I Were In Montreal, I'd Go To This

July 30
* If I Were In Montreal, I'd Go To This

July 31
* If I Were In Montreal, I'd Go To This

*****

August 1
* If I Were In Montreal, I'd Go To This

August 2
* If I Were In Montreal, I'd Go To This

August 3
* If I Were In SF, I'd Go To This (Comics In The City)
* If I Were In Montreal, I'd Go To This

August 4
* If I Were In Montreal, I'd Go To This

August 5
* If I Were In Montreal, I'd Go To This

August 6
* If I Were In Montreal, I'd Go To This

August 7
* If I Were In Montreal, I'd Go To This

August 8
* If I Were In Columbus, I'd Go To This
* If I Were In Montreal, I'd Go To This

August 9
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 10
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 11
* If I Were Near Urbana-Champaign, I'd Go To This (CSS)
* If I Were In Montreal, I'd Go To This

August 12
* If I Were In Montreal, I'd Go To This
* If I Were In Edinburgh, I'd Go To This

August 13
* If I Were In Montreal, I'd Go To This

August 14
* If I Were In Montreal, I'd Go To This
* If I Were In Sacramento, I'd Go To This

August 15
* If I Were In Montreal, I'd Go To This

August 16
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 17
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 18
* If I Were In Las Vegas, I'd Go To This
* If I Were In NYC, I'd Go To This (Flame Con)
* If I Were Near White River Junction, I'd Go To This (Comics And Medicine)
* If I Were In Montreal, I'd Go To This

August 19
* If I Were In NYC, I'd Go To This (Flame Con)
* If I Were In Minneapolis, I'd Go To This (Autoptic)
* If I Were In Montreal, I'd Go To This

August 20
* If I Were In Montreal, I'd Go To This

August 21
* If I Were In Montreal, I'd Go To This

August 22
* If I Were In Montreal, I'd Go To This

August 23
* If I Were In Montreal, I'd Go To This

August 24
* If I Were In Montreal, I'd Go To This

August 25
* If I Were In Boise, I'd Go To This (Boise Comic Arts Festival)
* If I Were In Montreal, I'd Go To This
* If I Were In Montreal, I'd Go To This

August 26
* If I Were In Boise, I'd Go To This (Boise Comic Arts Festival)
* If I Were In Montreal, I'd Go To This

August 27
* If I Were In Montreal, I'd Go To This

August 28
* If I Were In Montreal, I'd Go To This

August 29
* If I Were In Montreal, I'd Go To This

August 30
* If I Were In Atlanta, I'd Go To This (Dragon Con)
* If I Were In Montreal, I'd Go To This

*****

Events For September 2018 Onward Listed Here

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Happy 70th Birthday, Garry Trudeau!

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Your 2018 Eisner Award Winners

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This year's Eisner Awards ceremony was last night. Many laughs and a lot of good times were had, some having to do with celebrity presenters.

Winners in bold.

*****

BEST SHORT STORY

* Ethel Byrne, by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
* Forgotten Princess, by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
* A Life in Comics: The Graphic Adventures of Karen Green, by Nick Sousanis, in Columbia Magazine (Summer 2017)
* Small Mistakes Make Big Problems, by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
* Trans Plant, by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

*****

BEST SINGLE ISSUE/ONE-SHOT

* Barbara, by Nicole Miles (ShortBox)
* Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
* Pope Hats #5, by Ethan Rilly (AdHouse Books)
* The Spotted Stone, by Rick Veitch (Sun Comics)
* What Is Left, by Rosemary Valero-O'Connell (ShortBox)

*****

BEST CONTINUING SERIES

* Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)
* Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)
* Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)
* Monstress, by Marjorie Liu and Sana Takeda (Image)
* The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

*****

BEST LIMITED SERIES

* Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)
* Extremity, by Daniel Warren Johnson (Image/Skybound)
* The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
* Mister Miracle, by Tom King and Mitch Gerads (DC)
* X-Men: Grand Design, by Ed Piskor (Marvel)

*****

BEST NEW SERIES

* Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)
* Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)
* Maestros, by Steve Skroce (Image)
* Redlands, by Jordie Belaire and Vanesa Del Rey (Image)
* Royal City, by Jeff Lemire (Image)

*****

BEST PUBLICATION FOR EARLY READERS (UP TO 8)

* Adele In Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)
* Arthur And The Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)
* Egg, by Kevin Henkes (Greenwillow Books)
* Good Night, Planet, by Liniers (Toon Books)
* Little Tails In The Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

*****

BEST PUBLICATION FOR KIDS (AGES 9-12)

* Bolivar, by Sean Rubin (Archaia)
* Home Time Book One: Under the River, by Campbell Whyte (Top Shelf)
* Nightlights, by Lorena Alvarez (Nobrow)
* The Tea Dragon Society, by Katie O'Neill (Oni)
* Wallace the Brave, by Will Henry (Andrews McMeel)

*****

BEST PUBLICATION FOR TEENS (AGES 13-17)

* The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)
* Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)
* Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)
* Monstress, by Marjorie Liu and Sana Takeda (Image)
* Spinning, by Tillie Walden (First Second)

*****

BEST HUMOR PUBLICATION

* Baking with Kafka, by Tom Gauld (Drawn & Quarterly)
* Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)
* The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
* Rock Candy Mountain, by Kyle Starks (Image)
* Wallace the Brave, by Will Henry (Andrews McMeel)

*****

BEST ANTHOLOGY

* A Bunch of Jews (And Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)
* A Castle in England, by Jamie Rhodes et al. (Nobrow)
* Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)
* Now #1, edited by Eric Reynolds (Fantagraphics)
* The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

*****

BEST REALITY-BASED WORK

* Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
* The Best We Could Do, by Thi Bui (Abrams ComicArts)
* Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)
* Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)
* Spinning, by Tillie Walden (First Second)

*****

BEST GRAPHIC ALBUM -- NEW

* Crawl Space, by Jesse Jacobs (Koyama Press)
* Eartha, by Cathy Malkasian (Fantagraphics)
* My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
* Stages of Rot, by Linnea Sterte (Peow)
* The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

*****

BEST GRAPHIC ALBUM -- REPRINT

* Boundless, by Jillian Tamaki (Drawn & Quarterly)
* Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)
* Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)
* Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)
* Unreal City, by D. J. Bryant (Fantagraphics)

*****

BEST ADAPTATION FROM ANOTHER MEDIUM

* Beowulf, adapted by Santiago García and David Rubín (Image)
* H. P. Lovecraft's The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)
* Herman Melville's Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)
* Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

*****

BEST US EDITION OF INTERNATIONAL MATERIAL

* Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
* Flight Of The Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)
* FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)
* Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)
* The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)
* Run For It: Stories of Slaves Who Fought for the Freedom, by Marcelo D'Salete, translated by Andrea Rosenberg (Fantagraphics)

*****

BEST US EDITION OF INTERNATIONAL MATERIAL -- ASIA

* Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)
* Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)
* My Brother's Husband, Vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)
* Otherworld Barbara, Vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)
* Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

*****

BEST ARCHIVAL COLLECTION/PROJECT -- STRIPS

* Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O'Brien (Andrews McMeel)
* Crazy Quilt: Scraps And Panels On The Way To Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)
* Foolish Questions And Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)
* Sky Masters Of The Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)
* Star Wars: The Classic Newspaper Strips, Vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

*****

BEST ARCHIVAL COLLECTION/PROJECT -- COMIC BOOKS

* Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)
* Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)
* The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)
* Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)
* Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

*****

BEST WRITER

* Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC) (TIE)
* Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)
* Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)
* Marjorie Liu, Monstress (Image) (TIE)
* Mark Russell, The Flintstones (DC)

*****

BEST WRITER/ARTIST

* Lorena Alvarez, Night Lights (Nobrow)
* Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)
* Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
* Cathy Malkasian, Eartha (Fantagraphics)
* Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

*****

BEST PENCILLER/INKER OR PENCILLER/INKER TEAM

* Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
* Mitch Gerads, Mister Miracle (DC)
* Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)
* Ramón K. Perez, Jane (Archaia)
* David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

*****

BEST PAINTER/MULTIMEDIA ARTIST (INTERIOR ART)

* Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)
* EFA, Monet: Itinerant of Light (NBM)
* Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)
* Cyril Pedrosa, Portugal (NBM)
* Sana Takeda, Monstress (Image)

*****

BEST COVER ARTIST

* Jorge Corona, No. 1 With A Bullet (Image)
* Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)
* Brian Stelfreeze, Black Panther (Marvel)
* Sana Takeda, Monstress (Image)
* Julian Totino Tedesco, Hawkeye (Marvel)

*****

BEST COLORING

* Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
* Mitch Gerads, Mister Miracle (DC)
* Ed Piskor, X-Men: Grand Design (Marvel)
* David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)
* Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)
* Rosemary Valero-O'Connell, What Is Left (ShortBox)

*****

BEST LETTERING

* Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
* Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)
* Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
* Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)
* John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

*****

BEST COMICS-RELATED PERIODICAL/JOURNALISM

* Alter Ego, edited by Roy Thomas (TwoMorrows)
* The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)
* Hogan's Alley, edited by Tom Heintjes
* Jack Kirby Collector, edited by John Morrow (TwoMorrows)
* PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

*****

BEST COMICS-RELATED BOOK

* Deconstructing The Incal By Alejandro Jodorowsky And Moebius, by Jean Annestay and Christophe Quillien (Humanoids)
* How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)
* How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)
* Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)
* Monograph, by Chris Ware (Rizzoli)
* To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

*****

BEST ACADEMIC/SCHOLARLY WORK

* The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)
* Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)
* Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)
* Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)
* Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

*****

BEST PUBLICATION DESIGN

* Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)
* Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)
* Monograph, designed by Chris Ware (Rizzoli)
* My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)
* Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

*****

BEST DIGITAL COMIC

* Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)
* Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)
* The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)
* Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)
* Harvey Kurtzman's Marley's Ghost, by Harvey Kurtzman, Josh O'Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)
* Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

*****

BEST WEBCOMIC

* Awaiting a Wave, by Dale Carpenter and Nate Powell (The Weather Channel Digital)
* Brothers Bond, by Kevin Grevioux and Ryan Benjamin (LINE Webtoon)
* Dispatch from a Sanctuary City, by Mike Dawson (The Nib)
* The Tea Dragon Society, by Katie O'Neill
* Welcome to the New World, by Jake Halpern and Michael Sloan (New York Times Sunday Review)

*****

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*****
*****
 
posted 12:00 am PST | Permalink
 

 
July 20, 2018


Go, Look: In Search Of Water-Boiled Fish

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posted 1:40 am PST | Permalink
 

 
Go, Listen: Dylan Horrocks At DCP

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posted 1:30 am PST | Permalink
 

 
News & Notes From The San Diego Convention Floor

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*****

* the first thing about which most folks have talked to me is the intensity with which security and staff are after people to have badges, to wear them correctly and to keep moving in those aisles above all things. It was noticeable to me as I can't remember having anyone give me directions like that for years now.

* closing the road right up next to the convention center is a big hit. Also there are kudos with how responsive and engaged the security and staff people tend to be. People got their questions answered. If it was appropriate, they got one called down from upstairs.

* I did talk to three writers that were discombobulated by the move to one registration line leading upstairs, as the longer initial wait time was more than they thought when scheduling their Thursday AM. Not a big deal to any of them.

* I somehow failed to register for the show as press. That's right. Laugh it up. Since I could show the person manning the panel participation booth that I was in the program for interviewing Noah Van Sciver later today I was able to score a pass. A press pass was offered to me, too. Pretty embarrassing. Everyone was nice.

* the D&Q booth was humming with the Doucet collection and the Lutes book. It was great to see Jason in front of that colossal effort.

* it felt busy in the aisles for a Thursday early afternoon although a lot of the smaller booths I talked to told me it was initially slow, and had been for most on Preview Night as well. It does strike me that the energy of the show in terms of what gets bought is very different now.

* at one point I saw Paul Karasik walking down the aisle, comfortable in his own skin, about two full rows away. I realized I might not see him again this entire trip and wished good thoughts and positive outcomes in his direction.

* my I don't really get fandom moment of the day was a guy playing the Star Wars lone-trumpet ending scene music on the way down the escalator and this performance's wild response.

* saw recently departed Team Billy Ireland member Amy Chalmers and the cartoonist Noah Van Sciver looking for the convention center's back porch to have lunch together -- "we heard you can see the water" -- and it was adorable.

* i made a comment about my regret at not having registered and a friend thought I was saying I regret I didn't register for a movement assistance device so I'm guessing I look pretty damn fat.

* there is a lot of walking, though, and walking that feels more tiring than normal walking because you're always negotiating bodies, backpacks and baby carriages. Only one person noted that the comfortable shoes I brought had holes over the big-toe toenails because I am a disgusting old man now with unicorn horns sticking up from each toe.

* Silver Sprocket's set-up looked great, and they were attracting a lot of young-people attention. I think they're a pretty ideal exhibitor in terms of their being able to do a show like CCI but also every small-press show and arts festival you can think of. Best t-shirts.

* four people mentioned to me how unfortunate the new NCS show was to use rhetoric that made it look like they will be inventing use of the festival model in North America, although everyone also noted their May 2019 show has a strong line-up.

* Sammy Harkham and Kevin Huizenga were there. Brannon Costello. Stéphane Beaujean. The latter two there are newbies and looked slightly stunned and maybe even a tiny bit dismayed. It's not an unfamiliar look there. Miriam Libicki. Larry Marder. Carol Tyler and I walked around looking for Last Gasp; Tyler expressed concern that the convention floor carpets were at different levels of thickness. Rob Salkowitz.

* saw a really fine Robert Williams spotlight panel moderate by Eric Reynolds. About 100 attendees. Williams deflected praise and spoke matter-of-factly about shifts in his own skill set and how complacent he thought American progressives become. Great hour.

* dinner at an impressively crowded Italian restaurant. Hit the party circuit afterwards. Brian Fies sounded gracious and moved in a few minutes of discussion about he and his family losing their home to California fires. Dana Simpson, Andrew Farago and the great Nat Gertler were some of the other folks at the GoComics party. Great to see Nat after about 13 years, and congratulations to him on 20 years of About Comics. Saw Gina Gagliano and a couple of other folks at a lively and high class Scholastic party. The CBLDF was Zander Cannon, Kiel Phegley, Chris Butcher, Brian Hibbs, Alex Cox, Jacq Cohen, Tom Neely, Denis Kitchen. I sat in a chair next to Scott McCloud for a while, but I'm too tired to remember what was discussed except a panel description he thought was the saddest of all time.

* Bed at 1:17 AM. I was very tired.

*****

photos and additional reporting by Whit Spurgeon

*****

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*****
*****
 
posted 1:25 am PST | Permalink
 

 
If I Were In SF, I'd Go To This

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posted 1:20 am PST | Permalink
 

 
If I Were In Montreal, I'd Go To This

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posted 1:20 am PST | Permalink
 

 
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