May 21, 2013
Go, Look: Hypnotic Midday Movie
posted 8:25 am PST |
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Iconic Comics/Illustration Site Drawn.ca Calls It Quits
John Martz has announced the winding down of the site Drawn! on his tumblr. That was for its entire run a significant site, and by coming on-line in 2005 was particularly in those days when such things were possible a huge traffic generator for a lot of visual artists and comics-makers that were featured there -- think of it as the equivalent to stand-up comedians playing certain late-night variety and talk shows in the 1980s and 1990s. I enjoyed it a lot and stole from it more than most.
I would imagine that this is another sign we're in a potential transitional period for on-line culture as it intersects with comics. We're starting to see institutional alterations take hold as companies re-think their incentive models for that kind of work; some self-generated efforts are beginning to cycle out just in terms of what people are doing with their lives; anything that starts now does so in the context of social media efforts as opposed to the landscape that existed in the early 2000s. I don't know where we end up with all of this, but I do know it's something of a shame just for fans of this kind of material that certain efforts won't be with us when we arrive. Thank you to the
Drawn! people; I hope they all have a terrific time doing whatever each one wants to do with the time this frees up moving forward.
posted 8:20 am PST |
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Go, Look: Tramp Stamp
posted 8:15 am PST |
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Bundled, Tossed, Untied And Stacked
By Tom Spurgeon
* this isn't exactly news, not at this point in their production schedule, but I think
this the best-looking of the Tardi series covers to date. We live in an amazing reprint era that it's possible Fantagraphics' excellent treatment of these works isn't front and central in our thinking at all times.

* Doug Wright Award winner Nina Bunjevac
covers Taddle Creek #30.
* it's about a week old now, and we've linked to it in the random news before now, but
this interview with Mike Richardson and Joe Casey takes on the work Casey's doing with some of that company's costumed adventure characters. I think that's a fair description of those characters.
* let's hope
this is the first in a series of such ads, hotter and hotter as they go.
* as a fan of the original
Rocketeer comics that see that character and that world as tied into the unique expression of creator Dave Stevens, I don't really have an interest in
what IDW has been doing with various sequel series. Ditto
The Spirit and Will Eisner. Still, I think that IDW has done what seems like a pretty good job of working with the Stevens family and putting out quality comics set in the late cartoonist's world -- it strikes me as an honorable enterprise even if it's one in which I have little interest in the resulting content: the same relationship I have to something like the Leslie Turner
Captain Easy.
* Steve Morris
looks at the end of the latest run for DC's Amethyst character, the kind of character you'd think would find an audience if the market were just adjusted like two degrees towards greater rationality.
* Marvel
has apparently canceled their Red She-Hulk title. I'm not sure why there needed to be a Red She-Hulk title. I sort of like comics where I can't figure out why they exist.
* finally, I found the news that writer James Robinson
is leaving DC Comics to be interesting on a lot of levels. I like Robinson, I think he did a lot of good work for that company, and I think that's a company that can ill-afford to lose any talent at all. I didn't really understand his
Earth 2 title, but I was surprised by how much I liked his recent
Shade mini-series that DC collected. Robinson had a real talent in terms of carving out space in DC's "universe" that allowed for dramatic stakes based on something other than Amanda Waller showing up and the whole thing being plugged into some line-wide storyline about whether or not the DC comics icons are awesome and why. I think that's a real lost art, and given that these are entire worlds, I wish that more creators could create little worlds within the bigger one. I wish him luck in whatever he does next, and would love to see him return to his creator-owned work.
posted 8:10 am PST |
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Seriously, Buh: Jesse Marsh Draws A Big Spider
posted 8:05 am PST |
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ComicsAlliance Hints At Sequel That Will Be Awesome But Maybe Super Pisses Off Fans Of The Original
Here. I like Joseph, and I enjoy reading a lot of their writers; it'd be nice if they could get something going.
just to be clear: that title is a joke about using Dark Knight imagery, not a sign that I think a new CA would actually infuriate fans
posted 8:00 am PST |
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Go, Look: 40x
posted 7:55 am PST |
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Placeholder: I Completely Screwed The Pooch On ECBACC Festival Coverage For This Year

Make up for my error, which will be rectified as soon as possible,
by looking at the PW story on the targeted-audience show that took place in Philadelphia over the last weekend.
posted 7:50 am PST |
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Let's All Look At A 2008 John K Post On Owen Fitzgerald
posted 5:30 am PST |
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Comics By Request -- People, Projects In Need Of Funding
By Tom Spurgeon
* this is another edition of the column that runs on Mondays; I had a few more of these to post where I didn't want to wait a week.

* that nice man and indy comics veteran Batton Lash has launched a second crowd-funder, this time in support of a 112-page book of work that was previously featured on-line at SupernaturalLaw.com. This seems a natural place for someone like Lash to land, allowing him access to his scattered by fervent fan base in a way that's much more efficient than leaving that in the invisible hands of the direct-market mechanism.
Here's the link to Werewolves Of New York, which Lash writes in his PR is the longest story he's ever done. He has many cute incentives, tied into his overall theme. I think he'd get there without this site's help, but I enjoy Lash and wanted to pass this along.
* Clifford Meth, who does an enormous amount of work on behalf of older comics-makers that find themselves either in trouble or in need of a specific form of advocacy,
has a crowd-funder up for a book that features conversations with many of those creators and others besides.
* I'll pull one from yesterday's run of requests:
David Lasky is trying to raise money via original art and publication sales so that he can attend the Eisner Awards in support of his nominated Carter Family book. There is no better guy in comics than that David Lasky guy. Also, he hasn't aged in 20 years, so I'm hoping that by posting this he'll pass on eating a part of my soul.
* finally,
someone is translating Schuiten and Peeters. Or wants to. Always worth a check-out when that work is mentioned.
posted 5:00 am PST |
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OTBP: Adapt #1
posted 4:30 am PST |
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Forthcoming Comics-Related Events, Through June 2013
May 22
*
If I Were In New York City, I'd Go To This
*
If I Were In Portland, I'd Go To This
May 23
*
If I Were In Portland, I'd Go To This
*
If I Were In Portland, I'd Go To This
*
If I Were In Phoenix, I'd Go To This
May 24
*
If I Were In Portland, I'd Go To This
*
If I Were In Phoenix, I'd Go To This
May 25
*
If I Were In Portland, I'd Go To This
*
If I Were In Chicago, I'd Go To This
*
If I Were In Phoenix, I'd Go To This
May 26
*
If I Were In Phoenix, I'd Go To This
May 27
*
If I Were In Gainesville, I'd Go To This
May 29
*
If I Were In Munich, I'd Go To This
*
If I Were In Berkeley, I'd Go To This
*
If I Were In London, I'd Go To It
May 30
*
If I Were In Munich, I'd Go To This
*
If I Were In New York City, I'd Go To This
*
If I Were In London, I'd Go To This
May 31
*
If I Were In Munich, I'd Go To This
*
If I Were In London, I'd Go To This
*
If I Were In Portland, I'd Go To This
*****
June 1
*
If I Were In Munich, I'd Go To This
*
If I Were In Copenhagen, I'd Go To This
*
If I Were In London, I'd Go To This
*
If I Were In San Francisco I'd Go To This
June 2
*
If I Were In Munich, I'd Go To This
*
If I Were In Copenhagen, I'd Go To This
*
If I Were In London, I'd Go To This
*
If I Were In San Francisco I'd Go To This
June 3
*
If I Were In Los Angeles, I'd Go To This
June 7
*
If I Were In Chicago, I'd Go To This
*
If I Were In Charlotte, I'd Go To This (HeroesCon)
June 8
*
If I Were In Charlotte, I'd Go To This (HeroesCon)
*
If I Were In Olympia, I'd Go To This
June 9
*
If I Were In Charlotte, I'd Go To This (HeroesCon)
June 14
*
If I Were In Bath, I'd Go To This
June 15
*
If I Were In Chicago, I'd Go To This (CAKE)
June 16
*
If I Were In Chicago, I'd Go To This (CAKE)
June 21
*
If I Were In Texas, I'd Go To This
June 22
*
If I Were In Texas, I'd Go To This
*
If I Were In London, I'd Go To This
June 23
*
If I Were In Texas, I'd Go To This
*****
ONGOING
*
Ed Piskor: Brain Rot At Columbus Museum Of Art (Through June 2)
*
I See What You Say: Eleanor Davis And Lilli Carré at Cartoon Art Museum (Through July 7)
*****
This post is designed to list events through June 2013, including ongoing exhibits. If you don't see your event above, perhaps check out the future listings here. If it's not listed anywhere,
*****
*****
*****
posted 4:00 am PST |
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Go, Read: A Short Essay About Bill Finger
posted 3:00 am PST |
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Random Comics News Story Round-Up

* in case you missed it, TCAF Director Chris Butcher responded to Sunday's TCAF 2013 report
here, and cartoonist/former con organizer Dustin Harbin added commentary
here.

* Chris Marshall talks to
Fred Pierce and Hunter Gorinson. Ryan Ingram talks to
Graham Chaffee. Some nice person talks to that good man
Pat Moriarity. Josie Campbell talks to
Geoff Johns.
* not comics: hey,
I suppose congratulations are due Keri Butler and Gabe Fowler.
* DC's
co-op advertising plans have long seemed like a pretty good deal... I've always thought there was a good son/favorite son thing with DC and Marvel and the shops with DC doing all of these responsible things so that shop owners can then spend the money saved on carrying more Marvel titles. This isn't backed by anything except a wild hunch and cynical nature, however. Anyway, I'm glad DC does that for the shops that can use that kind of thing.
*
not comics but also comics: Cracked points out some of the uglier truths underlying basic superhero stories.
* Jennifer Cheng on
Fatale #14.
* a commenter on Graeme McMillan's blogging efforts for
Newsarama comes close to articulating a universal truth of comics blogging.
* finally, Tom Bondurant
takes the time in his solicits report to kind of take the temperature of modern Legion Of Super-Heroes fandom, one of the most celebrated and oddly impotent in terms of hit-making ability of all the superhero comics fandoms.
posted 2:00 am PST |
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Happy 47th Birthday, Mark Crilley!
posted 1:00 am PST |
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Happy 69th Birthday, Kim Deitch!
posted 1:00 am PST |
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Happy 38th Birthday, Neil Kleid!
posted 1:00 am PST |
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Happy 57th Birthday, Gary Reed!
posted 1:00 am PST |
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Happy 33rd Birthday, Sammy Harkham!
posted 1:00 am PST |
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May 20, 2013
Go, Look: The Adventures Of Kitty Cobb
posted 10:15 am PST |
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Dick Locher Announces Retirement From Political Cartooning

Scott Stantis
has a very sweet and succinct piece up on Dick Locher announcing his retirement from political cartooning. Locher left his gig doing art for the
Dick Tracy strip in 2011. Stantis notes that Locher was an accidental political cartoonist, securing the gig in his early forties after years of work assisting Chester Gould on
Tracy. He won a Pulitzer in 1983, ten years into what became a distinguished 40 years in that business, now much faded in terms of number of cartoonists and political pull from even those days. Mr. Locher is a very well-liked man, and I imagine everyone wishes him well in whatever he'd like to do with the extra time freed up by leaving this gig. You can read his political cartoons work
here.
posted 10:10 am PST |
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Go, Look: Pursuit
posted 10:05 am PST |
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Political Censorship Of Schuiten/Peeters Art Causes Kamagurka To Withdraw Work In Solidarity

I'm not sure I have
this all the way right, mostly because it's hard enough to track people being really strident and stupid in one's native language. But I guess an exhibition of comics art in Belgium contained a page from
L'Enfant penchée by Francois Schuiten and Benoit Peeters, and that this page was censored because it contained French-language text, drawing the ire of a separatist group that would prefer everything be in Flemish. This then caused Kamagurka to withdraw his work in solidarity, as well as a lot of discussion over whether this was right, who owned the art in question, and the nature of comics art in the first place. It seemed pretty interesting to me even if I'm not grasping the particulars -- maybe worth a translated read for you, or a read
en Francais if you're able.
posted 10:00 am PST |
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Go, Look: Early Jack T. Chick Comics
posted 9:55 am PST |
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Go, Read: Tim Hodler On Demise Of BCGF
Here. As I thought it might be, it's a smoking article with a lot of heart and things to think through. I could pull some quotes, but you should really read it over there.
My initial takeaway is that people in comics poo-pooh formal structures and the like, but it seems like a clear sense of who owned what and why and how and where it was going could have maybe helped here, and this was something that was an overall, even potentially overwhelming positive for a lot of the folks involved. Then again, maybe it's good
not to bind everything together, and this was just a personality conflict and set of philosophical differences that was going to define this show's demise just as it strengthened the show's first initial years and the whole thing was inevitable. It's hard to say.
Sitting on this post for a weekend, my slightly more considered takeaway is that New York is a tough nut to crack for comics festivals in terms of the money involved, and that comics festivals are pretty tough that way more generally. As we develop more shows and better shows the cost issue is going to raise its head
a lot.
posted 9:50 am PST |
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